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09 November 2009 @ 03:50 pm
All right, some signs were there, my LiveJournal is devoted to Gay Romance, and it's two years that it has a continuous growth that is almost scaring, and not, I'm not self-flattering myself, it's something that made me really wonder, if you don't count last month, that with the Rainbow Awards and all, it was a special month (more than 35.000 single visits, 82.000 page views), the previous month was more or less 25.000 single visits, more or less 5 times the visits of the same month the previous year.

So yes, something was happening, and fast, but really, I wouldn't believe to see the day when Harlequin, the most conservative romance publisher in the world, the same publisher who owns Mills&Boon in England, would open a new line accepting Gay and Lesbian story! But it's true, read here:

"Carina Press is a new digital-only publisher that combines editorial and marketing expertise with the freedom of digital publishing. With a long history of digital marketing and editorial experience, the Carina Press team is committed to bringing readers fresh voices and new, unique editorial.



Our philosophy is: no great story should go untold!

Carina Press will publish a broad range of fiction with an emphasis on romance and its subgenres. We will also acquire voices in mystery, suspense and thrillers, science fiction, fantasy, erotica, gay/lesbian, and more!

Our first books will hit the digital shelves in Spring 2010. Stay tuned!"

http://carinapress.com/

All right, there is Angela James behind it, the same Angela James who, with Samhain Publishing, brought out so good M/M romance authors, so I'm giving them credibility, and will look forward to the Spring of 2010.
 
 
09 November 2009 @ 03:00 pm
Phase 3 is started and will last till mid of December but you can continue to vote for your favorite cover art.



110 Covers still in contest, here are the link to covers and poll

http://www.elisarolle.com/rainbowawards/2009CoverContest_1_3.htm (Slots from 1 to 5)

http://www.elisarolle.com/rainbowawards/2009CoverContest_2_3.htm (Slots from 6 to 11)

the covers are grouped in slot of 10, each slot represent a question in the polls. My suggestion: open the above webpages in a different browser than the poll, and look at the covers while ticking off the ones you want to vote in the poll.

Since this is a "funny" contest, I will allow only votes through LJ accounts, not voting with comments sorry. The good news is that you can vote as many covers as you want for all the length of the contest :-) The cover contest will last for six week: every week the covers will be halved by 50%, to arrive at the sixth week with only 10 covers. The winning cover will be announced at the same time with the winner of the 2009 Rainbow Awards for LGBTQ Fiction and Non Fiction.

go to poll )
 
 
My Men Candy this week are a mixed group. I didn't pick up them for a specific reason other then... well, that I like them ;-) They have something, eyes, body, smile... I don't know, probably they are not classical beauty, but when I browsed the net for this week, they were the Men Candy who stand out among the other!

Will Chalker is one of the guys in undies (well, in his case with neither that) for the editorial “Dessous Animes” in l’Officiel Homme by Matthew Brookes in 2005.



Will Chalker )

Will Chalker (born 7 March 1980 in East Sussex, England) is an English model and an amateur boxer. He is one of few male models to be considered a supermodel. He began modeling at the age of twenty in 2000, leaving his earlier career as a construction worker after a friend took test shots of him. His big break happened when he was featured in the advertising campaign of Paco Rabanne's perfume Black XS in 2003.

Since then, he has appeared in major ad campaigns including YSL, Perry Ellis, Wormland, Valentino, Mark O'Polo, Zara, Bottega Veneta, Louis Vuitton, Dsquared2, Gap, Ermenegildo Zegna and Paul Smith. His runway tasks include opening and closing for Gucci, John Galliano's finishing tableau, Athena-poster look for D&G, carrying a baby tiger onto Dolce & Gabbana's spring/summer 2005 menswear catwalk, and walking along Sonia Rykiel during her show. He has appeared in GQ, l'Uomo Vogue, i-D, Japanese Wallpaper, Spanish Esquire and Upstreet. He has also done commercials for Levi's and his commercial for Paco Rabanne Black XS with has been remixed with scenes starring Bianca Balti to promote its "for her" version.

He has been the first man nominated for Best Model at the British Fashion Awards.

He is currently signed with New York Model Management, UNIQUE DENMARK, Models 1 in London, LA Models, Mega Agency in Hamburg, Fashion in Milan, Traffic in Barcelona and MGM in Paris.

http://models.com/models/Will-Chalker

Bryce Draper is signed by Major Model in New York and Beatrice in Milan.



Bryce Draper by Tony Duran )

2009 was a busy year for him, he is in the following editorials: Elle Italia, Dame e Cavalieri, by Ruven Afanador; U Magazine, Remembrance of Things Past, by Joe Lally; Vogue Hommes Japan, Do it yourself, by Jeremy Kost. He is also on the cover of U Magazine, July 2009, by Joe Lally. In the editorial I chose, he is shot by talented Tony Duran in Paris.

“I owned an home security company in Los Angeles and sold an alarm to a guy in the modelling industry. It was quite funny when he asked if I had a manager and I responded that I was a manager (thinking about alarm sales, being the owner/manager). I never wanted to model and when a relationship of mine fell through, I moved to NY to clear my head… the prior connections with the guy in LA… and here I am.

I thought that I would see NYC one day on a vacation and now I live here. I’ve lived in Paris for a year, travelled to South Africa, Cuba, Thailand, it has been amazing to open my eyes to the real world and get out of the bubble I was raised in. I have met many unique people that have shaped my view on the world positively.”

http://models.com/models/bryce-draper

Ryan Cooper (New York Model Management) have everything to be a sexy symbol: Awesome body, beautiful face and sex appeal. He is in Armani Exchange campaign, A/X F/W08, by Tom Munro and in the editorial for Numero Homme, After Party, Spring/Summer 2009, by Liz Collins.



Ryan Cooper )

He is signed with New York Model Management, UNIQUE DENMARK, Models 1 in London and IMM Bruxelles.

http://models.com/models/Ryan-Cooper
 
 
09 November 2009 @ 09:52 am
Today winners are:

Ebook: As You Are by Ethan Day
Winner: Nichem ([info]nichem)
Go to post: http://elisa-rolle.livejournal.com/824918.html

Ebook: Year Of The Cat by Selah March
Winner: Jambrea ([info]jambrea)
Go to post: http://elisa-rolle.livejournal.com/828958.html

Ebook: Making it Up by TC Blue
Winner: swell67 ([info]swell67)
Go to post: http://elisa-rolle.livejournal.com/835241.html


 
 
 
09 November 2009 @ 12:05 am
Yes, I know, when you read a book you should try to judge it for the book itself and not for your personal experience, above all if the book is not fiction, but a memoir. People are different and they behave in a different way in front of the same event. Anyway, I can't read a book about a dying parent, without recalling my personal experience: I lost my father when I was 19 years old, and he was ill, terminally ill, for the last three years. In particular the last year I couldn't do anything if not spending hours and hours near his bed, or in the next proximity, waiting. My father was a very strong man, and even if the illness made him weak, he never once wanted to impose on me or my brother. So no, we couldn't help him, and he rarely spoke. Only twice he acknowledged his illness with me, once when he was still hoping to have a chance to fight it back, we were on car, he driving, and he told me that the last months had been hard, but he was probably good now. He wasn't. The second time it was some month before his death, when he had to go to a funeral of a friend of his who didn't manage to survive cancer, the same cancer my father had. I went with him, losing one day of school but my mother and I thought my father shouldn't be alone, and outside the church, waiting for the service to end (my father was atheist and didn't like to enter churches, neither for a funeral), he told me that he didn't want a funeral, and above all not in church. Now you have to understand that in Italy there is no any other way to have a service if not in church. We haven't funeral home, we usually don't cremate. But this is another story, enough to say that my father had a service on the street, with hundreds of people attending, all standing. I think my father would have liked it.

Sorry for the long preamble but it was necessary for you to understand that no, I wasn't really in the mood to read A Report from Winter, I didn't want to recall all I went through. But I promised that I would have given the book a chance and so I did. And I was soon surprised: A Report from Winter is a total different experience from mine. What Wayne is going through is not the sickening pain of a son who desperately doesn't want to loose his parent, Wayne is so estranged from his family, and his family from him, that he arrives to his mother death bed when she is so far on the illness that it seems she neither acknowledges his presence. And the people who are there, the one that I thought were lovingly taking care of an old dear mum, are more like two block of stone, unmoved by the events, only waiting for the death to arrive to finally being able to go back to their usually routine.

No this is not the heartbreaking narration of the death of a loving one, it's more the journey back to hell of a man who was trying to forget that world still existed. Or at least I thought so at the beginning. Wayne was cold, his relatives were cold, the city was cold, the winter was cold. Like an ice shield around everything in this book, it was almost impossible to break through. And then little by little, the ice around Wayne melts, and the reader has the chance to see a different him, someone who probably is regretting some choices, even if, truth be told, they were the only possible and right, and healthy, for him to do. Also with the arriving of Ralph, Wayne's partner, we have the chance to see another Wayne, and we realize that, the one we met at the beginning, was a little boy who was scared to come back, and that was wearing a ice cold mask to shield himself from any possible hurt.

There is not sudden revelation of an unknown true, there are no miraculously changes, only maybe the realization that, if a little boy thought his mother didn't love him, maybe it was since she herself wasn't loved before, and she didn't learn how to share things. There is maybe a man who remembers that, after all, his mother thought to him, in little things she did. And there is maybe the realization that, no, it wasn't useless for him to come back to say a final goodbye, because if he didn't do that, he would have regretted it for the rest of his life. Wayne had to know that his mother loved him, only she had a way to love him that wasn't the fictional love you are used to see on television or cinema.

I also loved the glimpse in Wayne's story with Ralph, the retelling of their first date, ended without even a kiss, and Wayne's pain afterward, a pain soon soothed by a simple phone call by Ralph, it was sweet and true.

http://lethepressbooks.com/gay.htm#courtois-a-report-from-winter

Amazon: A Report from Winter

Amazon Kindle: A Report from Winter

The Rainbow Awards: Third (and last!) Phase: http://elisa-rolle.livejournal.com/850354.html

 
Cover Art by Ben Baldwin
 
 
08 November 2009 @ 09:02 pm
Due to the time of release, Hallowen, and the author, Jordan Castillo Price and her vampires and psycops, I was expecting something "paranormal" from this seasonal novella, and instead, to my surprise and delight, it was a very nice, and normal, romance, with a good love story.

Tony was in a bad accident and now, even if he is the younger of the Potosi's brothers, he is also the weaker, the one the other two look after, the one who has to do the less heavy jobs... losing his status of "body", the man who could do everything, is for Tony like losing a bit of his masculinity. Then he does a job for David, the man who bought the old house Tony and his brothers thought haunted when they were young, and when Tony goes there the first time, he doesn't know what to expect. For sure he isn't expecting David, and the sudden sexual sparks the man arise in him and the mutual interest. David doesn't look at Tony like a broken man, he looks at him like a fine piece of meat he can't wait to taste. And Tony is both excited than perplexed. David comes to him in a so strong way, that Tony is almost scared: has David an hidden agenda that Tony can't find out?

There is a little surprising turn in the story, nothing big, but it gives to all the novella a meaning more. Other than that, what I enjoyed was the slightly May/December relationship between David and Tony, and also the reverse play of Top and bottom: David is older than Tony, forty-something against not yet thirty, and he is the one who is straightforward in proposing Tony, actually Tony is the one who asks to step back a bit, to have more time, but when they finally arrive to share a bed, David leaves the upper hand, and position, to Tony. I think that was absolutely necessary for Tony, he needed to prove to another but above all to himself, that he was still "man" enough, that he wasn't broken.

Another thing I liked was Tony's relationship with his brothers Chip and Sal, and their Italian heritage. It wasn't so much developed, but the classical tight-knit Italian family was there, and I wouldn't have minded to read a little more on them, how they deal with Tony's homosexuality, something they know and seem to accept, but that probably was not easy at first.

http://jcpbooks.com/#sympathy

The Rainbow Awards: Third (and last!) Phase: http://elisa-rolle.livejournal.com/850354.html
 
 
 
08 November 2009 @ 04:40 pm
Heart Song is a short story that puts a lot in game. Rafe and Charlie were a May and December couple, and plus there was also a difference in social status, being Rafe only a policeman and instead Charlie a wealthy businessman. But Rage really loved Charlie, and since he loved him so much, he had to leave the older man: he felt that that Charlie didn't love him as much as he loved him, there was always something or someone else that kept a big share of the man's heart. When Rage left Charlie for that last time, he was sure this time he wouldn't have changed his mind, but he didn't know that it wouldn't have any other chance to do that, Charlie dies and leaves behind him a lot of unanswered question, and a letter.

Charlie had a son, Stewart, who Rafe didn't know and he meets only at Charlie's funeral. It's not exactly the place to meet a possible lover, above all when he is the son of your just dead one, and Rafe is a too good man to try something. But then Stewart finds him and brings with him Charlie's letter; Charlie knew he was dying and he wanted for Rafe and Stewart to look out for each other. He wanted for them something else? Probably. But that is Rafe and Stewart's choice.

This is only a short story, but I really like all the various layers, all hinted but well managed, the May/December relationship between Rafe and Charlie, their difference in social status that was overcome by their love, the new love between Rafe and Stewart, that someone could see as a way for Stewart to finally have something of that estranged father who left him so many years before... Rafe is not older, he can't be a fatherly figure for Stewart, they have the same age, but he was Charlie's lover, and so, in a way, he was more near to him than Stewart, and now Stewart wants at least a little bit of that love that Rafe had for Charlie, it's another bond to his father.

This is the first story by Jambrea Jo Jones I read, and it's only a short story, so I can't be sure about this author, but, from the little I read, I think there is great potential.

http://www.extasybooks.net/ebjmsite/index.php?page=shop.product_details&flypage=ebook_flypage&product_id=6515&category_id=8&manufacturer_id=144&option=com_virtuemart&Itemid=44&vmcchk=1&Itemid=44

The Rainbow Awards: Third (and last!) Phase: http://elisa-rolle.livejournal.com/850354.html
 
 
08 November 2009 @ 11:08 am
Director: Yair Hochner

Writer: Yair Hochner (writer)

Release Date: 6 June 2008 (Newfest New York LGBT Film Festival, USA)

Genre: Drama, Romance

Plot: In two days, Omer will hit a milestone; his 30th birthday. Like many his age, he hasn't found himself. But then Omer is hardly looking. Instead he chooses to loose himself among the stacks of books at the local library, where he works. It is a respite from real life. From time to time he goes on blind dates. He meets Danny on one of his dates. 20 years old and full of enthusiasm, Danny dreams of becoming a dancer. Shirley, Omer's little sister, has her own problems. Aside from being Omer's greatest annoyance, she is in an unconventional relationship with, Michal, owner of the city's hippest coffeehouse and her boss. Just when it seems that Omer has completely lost his spark and all seems lost, Enter Ronen, the handsome journalist who ignites the flame Omer has been seeking. Everyone is hoping for a change. They are waiting for the light. The light that will thaw their frozen hearts. But only one person has the answer, Matilda Rose, the alien loving best-selling novelist can solve the issue; Is love dead or are we just looking in all the wrong places?

@IMDb
@Amazon: Antarctica [ NON-USA FORMAT, PAL, Reg.0 Import - Australia ]
@Netflix



more pics )

Cast (in credits order)
Tomer Ilan ... Omer
Guy Zoaretz ... Ronen (as Guy Zo-Aretz)
Yiftach Mizrahi ... Danny
Ofer Regirer ... Boaz
Oshri Sahar ... Eitan
Yuval Raz ... Miki
Lucy Dubinchik ... Shirley
Yael Deckelbaum ... Yael
Liat Ekta ... Michal (as Liat Akta)
Shirli Salomon ... Shirli (as Shirli Solomon)
rest of the cast )


Danny & Boaz

more pics )



 
 
07 November 2009 @ 08:15 pm
Hi Guys! I know I told you this would be up last week, but circumstances conspired against it. Anyway, my guest post for [info]emlynley 's Cocktoberfest is now live, so if you would like to WIN A FREE COPY OF WILD ANGELS and/or hear, read, or comment on what I have to say about fantasy vs. realistic boysmexing, go go gadget linkage! I hope you won't be disappointed. You should totally check out the rest of the Cocktoberfest entries, too. Like any of you can resist the theme!
 
 
This short story by A.J. Ryan, another pen name for Geoffrey Knight, author of the Fathom's Five series, is a pure fun and naughty sexy romp. Eighteen years old Tommy and his nineteen years old newly stepbrother Dash are all alone for the summer, since they parents left for the honeymoon, and they promise to stay together and look for each other... like asking to the wolf to look out for the sheep... oh yes, Dash will look good for Tommy, but his idea is not to protect the boy. As the author well says, the two boys are very similar... apart that one is blond and the other brunette, apart that one has blue eyes and the other green, apart that one is a wasp boy and the other an Afro-American from the ghetto... yes they are the same in the desire to get into trouble and get into each other pants.

Both Tommy and Dash are into sleuthing and there is a mystery to solve: in a small college twon each month, during full moon, a male virgin is murdered. Dash wants to find the truth and Tommy wants to tag along... there is only a problem: Tommy is a virgin! Obviously there is a way for Dash to protect Tommy, watcha bet how much time will Dash take to understand what he has to do? ;-)

There is really nothing serious in this short story, and even if I had too less pages to fully enjoy these two boys, I can already say that Tommy is one of my favorite character of ever. I don't really know if he is really dumb or if he is the most clever men of all, since, in the end, he obtains what he wants and he is the one who enjoyed all the aspect of their adventures. Tommy is so out of every normal definition of man/boy that I sometime worried for him and his innocence; oh no, not his "physical" innocence, that I was eager to read when he would have finally lost it, but his "inner" innocence; he is so open and friendly that everyone can take advantage of him, but in the end, I don't believe Dash is so much different from Tommy. In the end, the author was right, Tommy and Dash are really the same.

http://www.eternalpress.ca/thedarcyboys.html

Amazon: The Darcy Boys and the Case of the Secret Skulls

The Rainbow Awards: Third (and last!) Phase: http://elisa-rolle.livejournal.com/850354.html
 
 
07 November 2009 @ 06:35 pm
on tuesday myself and [info]nightbeast took part in a professional photoshoot as part of Jann Tarrant's degree project on cosplay and the influence of Science Fiction on popular culture.

These are a few of our photo's


Photobucket


Photobucket


 
 
07 November 2009 @ 06:30 pm
It's really difficult to disconnect the author, Jim Arnold, from his character, Ben Schmidt. They have so many traits in common and Ben comes out so strong from the page of Arnold's novel, that it was really like reading a personal journal more than a fictional novel.

Ben is a wanna-be-director, with actually a first movie going out on Festivals all around the world, a nice work in San Francisco, an handsome boyfriend,Jake, living in the attic of the Victorian house where he has a first floor apartment, and an affair on the side with Eric, and nice guy who is always ready to have sex when Ben wants something different than maybe too perfect Jake. At mid-forthy Ben seems to have the perfect dream life for every modern gay man, but he is not happy. He has a constant desire to ruin his own happiness, and his relationship wth Jake is a perfect example of that: Ben has the chance to have a perfect life and he is trying to destroy it. If nothing else happened, I think Ben would have never understood that. It was his own right to destroy his life since he has the power to do so.

But then that power is taken off from him. Ben discovers to have prostate cancer. And it's bad. Suddenly his life is crashing around him and he has no power on that. He can't do anything if not wait for the next tragedy to struck. And life is no more good for him. When he is down and without chance to fight back, everything he thought due in his previous life is put at risk: his job, his boyfriend, his passing lovers, even his apartment, with the small threat of mice. When Ben had everything, he didn't know what he really wanted, now that he is on the edge to loose everything, he will have the chance to understand what is really important for him. In a way tragedy helps Ben, freeing him from all the unnecessary things, he will have an enough clear view to see what it really matters.

I didn't expect to enjoy the romance in this book like I did, and truth be told, at first I didn't like so much Ben. But in a way he got better with the story, and I liked that he didn't come out as an hero. There is nothing of heroic in Ben, he is a real man struggling against the world with only the strength of a normal man. And he doesn't cling on his friends, he tries to find the strength inside him. I liked that, amidst all the tragedy, Ben realized that love was the answer, not for the cancer, but at least to give a reason to his life.

Benediction is not an easy book to read, above all if you had an experience with cancer. It's not all roses for Ben, it's not that, since he has cancer, everything else has to go smoothly for him, it's not that people who dislike him suddenly step back. Ben has not only to fight the cancer but also all the other small and big trouble people have in their everyday life. He has to continue to worry for everything he worried before and plus he has the cancer. That is the strength of Ben, being able to face all and take the right decision.

Amazon: Benediction

Amazon Kindle: Benediction

The Rainbow Awards: Third (and last!) Phase: http://elisa-rolle.livejournal.com/850354.html 


Cover Art by Jaime Flores
 
 
07 November 2009 @ 12:32 pm
Broken is, as expected, a story very heavy in the angst side but not overtly dramatic. I poured my one tear or two, but basically, I think the story was more sweet than anything else, and I really enjoyed the fact that it was "physical" without being sexy. Let me explain a bit: both main characters, Eli and Alec, are very aware of each other in a physical way, the love between them is both a match of minds than bodies, and all around them there are people who are in different stage of relationships, but the novel never goes down to the details, never once there is a full sex scene, even if, more than once, the men fall asleep together (and you will have to read the book to know what I mean). So yes, the novel is physical, but it's not sexy, we and they are aware of the men and their sexuality, and so no, this is not a "sweet romance" as the old romance rules state (no sex we are English...), but it's sweet since the author manages to maintain it on a balanced level, not too much of that, not to few of this.

Eli is recovering from a trauma, his life partner was killed in a gay bashing, and 2 years after his impromptu family, the lesbian best girlf friend of his former partner, and two gay roommates they were living with, think it's time for Eli to come out from the self-imposed "widower" mourning. Ilsa in particular decides to take the matter in hand and rent the attic of the house where they are all living to Alec, an American writer and Psychology professor who is searching a place to live in London, after moving from Chicago due to another one of his "usual" heartbroken. Just from that you can understand that Alec is not exactly the classical psycho-therapist, that let me say, I sometime find boring: when a man has all the answers, I think he is not a nice character. Alec, instead, I think he is a man who learns how to understand and comfort people, since he wanted to understand his own fears and doubts. When one of his relationships fails, he moves to another city to completely change his life; it's a run from reality, but he knows it well. And I think that Alec has also some self-esteem problem, he always thinks that the relationship fails due to some fault from his side... unlikely, but the human mind works in a strange way.

Anyway, when Alec meets Eli, he is the only one who understands that Eli has not the need to be pushed out from his mourning, he needs to be taken by. Eli is almost ready, he only needs to find a reason, and maybe the reason can be a new love, Alec. Obviously when you hide to Eli that Alec is a psychologist, and more he is specialized in after-trauma, well, you also understand that troubles are behind the corner.

Eli and Alec are very nice characters, well developed and likeable. The story between them is nice and sweet. What probably is the best part of this novel is that they are not the only ones to be good characters. They can be the main focus of the story, but all the supporting characters around them, from the most important ones, like Ilsa, Lyle and Tony, Eli's roommates, to Casey, Mirabell, the best girl friends, to even the cameo roles like Dray, Reggie and Ray, they all have an interesting background story, they all aroused my interest and made me wonder about them, about their story and its possible evolution. Broken could be Eli and Alec's love story, but it's also a choral book where all the characters have a very important role.

http://www.dreamspinnerpress.com/store/product_info.php?cPath=55_110&products_id=1627

Amazon: Broken

Amazon Kindle: Broken

The Rainbow Awards: Third (and last!) Phase: http://elisa-rolle.livejournal.com/850354.html


Cover Art by Paul Richmond
 
 
07 November 2009 @ 09:39 am
You can't go up the Empire State Building and don't take a picture of the Flatiron Building. I think that, from above is how you can really appreciated this building, you haven't to choose a particular side, its strange form is enough to be the basis of a nice picture. Maybe the only "special" effect here is the light: I chose to go up the Empire at almost closing hour, when the sunset was starting and so I obtained that golden light you see.

 
by Elisa, Flatiron Building, New York City, 2000
http://www.elisarolle.com/travel/2000NewYork.htm

This picture was taken in 2000, my first time in NYC. This last September I did less tourist things, and so I didn't stay in line to go up again the Empire, but I did take another picture of the Flatiron, this time from below:

 
by Elisa, Flatiron Building, New York City, 2009
http://www.elisarolle.com/travel/2009EastCoastUSA.htm

Flatiron Building )
 
 
 
 
06 November 2009 @ 11:19 pm
...an electric blue bob suited me! Don't you agree??!!!
LMAO

It's nearly midnight here, I'm drinking a home-made margarita after a Foul Week at work and wishing for Californian sun instead of London rain.

Sigh
 
 
06 November 2009 @ 05:41 pm
All right, this was a very daring book. And it's the classical book that who read and like it, as me, then feels bad about liking it. Why? Because we are "programmed" to consider certain things as bad, and I hate it! I would really be able to read a book like this one and closing it with only a satisfied feeling, not guilty at all. Well, at least I read it, and I liked it, so, that is a step more, isn't it?

Problem is the book has two sex scenes between a boy and a man in shifted form, a wolf. Actually that is not exactly true, Brian, the shifter, is actually a wolf, Saoi, who is able to shift in human form. As the authors well explain, he is not a werewolf, he is a faewolf; once upon a time, so far away that it was lost when and where, a fairy had sex with a wolf and a new breed was born, the faewolf. Saoi left his pack when he realized that his people were dying, not having a place in the world where they could prosper undisturbed. Saoi shifted in Brian and now he is living among the humans, but he is more a wolf than a man, and even when he is in human form he still thinks as a wolf, he actually lives like one, in his cabin in the woods, he has no one of the comforts humans usually wants. During the day he is a graduate student and TA for a biology college course, but during the night he roams the wood in wolf form.

Who is the partner for a man/wolf like him? Kiya is a half-blood Native American at his first year of College. He is very young, I believe barely legal, and he really gives me the impression of a modern Little Red Hiding Hood left alone in the clutches of the Big Bad Wolf, pun very much intended. Only that, in this version of the story, the Big Bad Wolf is the hero and the Hunter is the villain, and I don't think the coincidence are only by chance, I think the authors had clearly in mind that they were rewriting a classic. But coming back to Kiya, I don't want to talk bad about him, I think the way he was is the only way possible for his character to be in the story.

First, his Native American's heritage allows him to be at comfort with the woods, and with the animals who live in them. More, wolves are sacred for Native Americans, and so when Kiya meets Saoi (when I talk of the wolf I will call him Saoi, the man is Brian, and so did the authors), he actually thinks to have found animal spirit who will protect him. As I said Kiya is very young, and in his first year far from his family he did some bad choices; he is just out from an abusive relationship with Ted, an older boy who took advantage of him and above all who forced Kiya to have non consensual and non protected sex. This is, lucky for me, one of the think we only heard but don't read in the story, see how my mind works? I have trouble, but I can read about sex in shifted form, but I don't want to read about "real" non-consensual sex. Anyway, the trouble for Kiya is that he needs, and wants, a protector; Kiya is a submissive for nature, he is used to be part of a "pack", his family, and when he is out alone, far from them, he desperately tries to replace them with a lover, someone who can shelter him like his family does. Even if Kiya is 18 years old, he is still very much like a youngster, and I don't think this will change with him grow older; it's in Kiya's nature to be like that, see how he sucks his thumbs when he is worried, and being him like that, he is the perfect partner for Brian/Saoi, someone who thinks pack is the only way to live, and who actually misses very much one. Kiya and Brian give to each other what both miss and want.

So, the sex in shifted form... it's not free, it's entwined in the story, it's the only way this story could evolve. If you want to read this story, you have to read that. Yes, all right, you can flame me on the comment section, saying me that this is not romance, that this is not right, you can say everything you want, I will only reply to you: the story had its flaws, sometime Kiya was really too much of a unwilling teaser for his own good (the lollypop were almost too much even for me), and Brian was almost too good to be true, but a flaw was not the sex. And to add a very minimal flaw, but too prove you that I didn't read the story lightly, I even found an END EXCERPT at some point, probably an oversight of who sent the book to print (and BTW I bought my ebook copy, so as I found it everyone else can find it); since it was almost at the beginning of the book, it didn't leave me with a good impression at first, I was annoyed, I thought to have bought a less than high quality book... and instead, in the end, after having read it all, sex scenes included, I think, again, this was a very daring book. And since it was so daring, I can overlook to some editing faults.

Amazon: Faewolf

Amazon Kindle: Faewolf

The Rainbow Awards: Third (and last!) Phase: http://elisa-rolle.livejournal.com/850354.html


Cover Art by Ponderosa
 
 
 
 

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